New Age Fiction - A memory unfolds...A deep truth reveal itself...
by Anu Majumdar
Parallel Journeys, a mystical novel by Anu Majumdar, was released recently to critical acclaim. The story weaves in and out of the Vedic past and the contemporary present,
interlinking the lives of the protagonists with those of Vedic sages Yajnavalkya and his wife Maitreyi. Extracts:
Maitreyi looked around. The
plastic chairs in the lounge were orange and yellow. She went to the end of the
room and took the orange seat by the glass windows that looked out over the long,
empty tarmac. The runway lights were still on, though the dawn had begun to clear
the sky. She had recently read that the entire airport area had once been a forest.
She tried to imagine what it could have been like.
At once images from
another forest swam into her mind's eye. She was walking between birdsong and
a green density of trees. Through them, in the distance, she could see the white
mountains. And then, she was standing in a circle of light. Or was it her?
No, it was someone else.
The profile in the glass window pane was
no longer her own. But it seemed to know her. There was a recognition. She sat
up in shock, recognizing herself. The walls of the airport blurred away from her
eyes. There were no chairs, no people. The forest had taken over. But this was
not the forest that she had known a year ago. This forest belonged to another
lifetime.
Where was Yajnavalkya? Yajnavalkya who?
She stared at the reflection in the glass. The woman looked back at her intently.
Dark eyes.
Centuries deep. She saw the sun come up through them at the
far end of the runway.
The TV screens in the lounge were all flashing
"Passengers bound for Paris please proceed to Gate No 10."
Reluctantly
she picked up her bags.
Yajnavalkya walked quickly. Past the flowering palace gardens, past
the sentries at the gate, out into the fields. He walked towards the outskirts
of the capital city where his hermitage lay by the river side, surrounded by vast
acres of pasture and farmlands given to him by the king. For he was the rishi
to whom one of the Vedas had been revealed.
As he approached the hermitage,
he could see Maitreyi from a distance. She was cleaning the small temple that
stood by the river. An old temple, it seemed to have been there always.
A few months earlier, during the rains, the river had flooded over. It was the
first time that this had happened. The water had rushed in savagely, breaking
the old stone idol of the goddess and carrying it away in a mad dance of wild
water. It shook the entire household to the core. When they gathered around the
temple after the water receded, the shrine was empty. Ravaged. Yajnavalkya looked
at Maitreyi. The goddess had been her constant guide.
But Maitreyi stood
quietly, her face turned up-river, as though she was watching the mountains from
where the river flowed down past their ricefields. Afterwards she went to her
room and returned with a rock. She gave it to him without a word. It was the same
one that he had brought back for her from the mountains, many years ago.
It was the first sign.
The next day he began refashioning a new idol
from the rock. As he chipped away the outer crust, the stone revealed itself smooth
and firm inside. And copper gold, like Maitreyi's skin. When the new idol was
finally ready, it was installed in the old temple with all the usual offerings
and rituals.
Maitreyi was nowhere to be found. He was puzzled.
That evening as the sun went down, he stood watching the cows return to their
enclosures. A slight breeze drew his attention. He turned around. Across the fields,
towards the river, he saw Maitreyi in front of the temple. She was alone. She
seemed to be offering prayers to the goddess. But she did so moving with wide
and sweeping gestures of obeisance and power. The sky echoed her prayer with crimson
intensity. He looked on in amazement. It was like watching the goddess celebrate
her own birth.
A sigh of fulfillment escaped Yajnavalkya's lips.
The time had come, at last.
Movement.
What causes a strand of hair to lift, like a ripple in the wind and fall
lightly over the forehead? Fringing the eyes. The bounce. That easy verve and
grace. Between his hands he held a fine band of steel in a curve, as he studied
the photograph on his desk. It was taken a year ago, in the Himalayas, beside
a forest in Mukteshwar. His right hand slid lightly over the band of steel and
let go. The steel bounced free, rippled with countless million vibrations in one.
It produced a sound. It rose and fell into the silence. The band of steel settled
quietly in his other hand.
He went back to his drawing board.
The plans for the new project, the Concorde Dance Center, had been finalized and
accepted. He had been given the go-ahead and construction was due to start in
about two weeks. But still it nagged. He looked across at the model. It could
be a great building, no doubt. It would even do him proud. But it had no movement.
Static. It lacked rhythm. It didn't breathe, didn't circulate. People were going
to dance in this? No... He had to create the spontaneous measures of the spirit
here. The swift harmonies of space, shape and circulation. "For the great and
easy dances of the gods," he quoted to himself from the book, grinning now with
purpose. So, too bad. He dug his hands into his pockets and went up on his toes.
It would have to change. He clamped his heels back on the ground. And the directors
of the Concorde Dance Project would have to approve.
Decision.
He picked up the old drawings and tossed them into the wastepaper basket without
a second thought.
From the large windows of his studio-cum-office he
could see across the rooftops of Paris. It was spring. The single bald tree in
the courtyard was rushing up towards the sky with a thousand secret leaves. But
now he was looking further away. East, to the mountains.
Yajnavalkya
had come to tell her about his decision to end his duties as a householder and
to depart. He wanted to divide his wealth between her and Katyayani. She looked
at him steadily as he spoke. This was to be expected. That one day he would leave
and she, his wife, would remain with the household. But her heart had never believed
this. And after the temple had been destroyed by the flood, she knew somehow that
a part of her life was over. Even as Yajnavalkya fashioned the new idol
from the rock she had given him, she felt herself being prepared. There was a
sense of readiness for something imminent but unknown. Yajnavalkya stood
before her now, expectantly. This was the revered sage before whom even King Janaka
bowed low. But then, she had never been an ordinary wife either.
She
held back a giant tremor in her heart and asked him softly instead.
"Will
this wealth bring me immortality?"
"No, my beloved."
She looked him in the eye.
"Then what use
is all this to me by which this life is unable to obtain the nectar of immortality?
That, my lord, teach me before you go."
His eyes glowed with pleasure.
"Dear to me have you always been, Maitreyi, and dear to me is what you
ask. Come then, I will explain what you desire to know."
Yajnavalkya
said:
"Not for the sake of the wife is the wife dear to us but for the
sake of the Self, the soul.
"Not for the sake of the husband is the husband
dear to us, but for the sake of the Self, the soul.
"Not for the sake of the whole world and all the things therein is the world dear
to us, but for the sake of the Self, the soul..."
As she listened, her
mind grew wide and free. When he finished, he touched her head in blessing and
left. Then she realized... That the choice would have to be her own. And the decision,
hers alone
She
quickened her pace. Yajnavalkya walked ahead with an easy, unhurried gait.
His body was still firm and supple, breathing with the life that held it.
He stopped and turned around smiling.
"I knew you would come, Maitreyi."
Even this, she had not known. She was surprised again by her own incompleteness.
"But there are many hardships on this path. Will you be able to endure? Do
you know your strength, my love? For we will go only part of the way together,
up to my old hermitage at the edge of the great mountains, in the forest. From
there I must go on alone."
"But why can I not go on with you?"
"Because you are not yet ready to enter those spaces. When you are ready, when
you will have fulfilled the conditions for the next journey, you will find your
way to me, by yourself, even as you did today."
"So be it," she said.
After she returned from the mountains, the pressure had been relentless. It made
her work, work, work. But there was no sense of getting anywhere at all. Yet,
she carried on the movements before a blank wall. It was a strange time. The body
was inside itself. Inside its entire cosmos. Who would help her? There were no
teachers for such things. Weeks went by. Months. Sometimes she got a bit desperate.
She passed up opportunities. Fell out of the circuit of professionals. She was
getting to be a virtual unknown. Revati was furious with her. She had never felt
so alone. One day, at the peak of summer in Delhi, she went into her dance room.
Studio, as it is professionally called. She started with the usual warm-ups. Movement
repertoires. Footwork sequences. Jumps. Dead-end.
She stared out of the
window. A little stone lying in the corner of the garden caught her attention.
It was one she had found in Mukteshwar! An ardent prayer rose in her heart for
Maitreyi of the temple, her forerunner. She felt herself grow quiet. Very quiet,
as her breath expanded in waves, in a silent amplitude of knowledge. As in a slow
motion dissolve, she saw the stone grow into a mountain and fill her eyes. A hundred
gestures came crowding into her body. She tried one. It opened her out like a
valve.
The hours went by, one after another. Oblivious of time, she worked
on. She was no longer groping in the emptiness. She picked the movements out of
the air. From the ground, into her feet. Recognizing each one clearly as her own.
Space and time had become hers. She knew she was finally touching what she had
been struggling to reach all these months. It was falling into place now. Swiftly,
effortlessly, and as naturally as breath. The lines of power, the ease, and the
rhythm. Unfolding in her like a revelation.
It was achieved.
She stopped, covered with sweat, and happy. The long lonely passage had come to
birth. From now on, she could work on the details.
The sky was clearing.
The light on the mountain had softened from orange to shades of pink and crystalline
white. From each atom of her being the God of Bliss emerged, coursing through
her body like rivers of honey. The body was like a tree, its branches the million
veins pressing out of it the deep hidden clarities of delight. Clear and sweet
was this intense joy, opening her body to the flow of life and its powers.
The movement grew, the speed increased, her body entered the play. She was
now whirling at tremendous speed. The forests, the valleys, the mountains, earth
and sky began to enter her, breaking open more and more territory inside...
It began to rain. The drops were tender and she was drenched with love. Slowly
the sun climbed, golden over the mountains.
A rainbow had arched up from
the plateau, over the valley, to fall on that mountain goddess, waiting serenely,
against the sky.
Maitreyi knew then that Yajnavalkya had also
reached. She stopped. His arduous journey was also done. They would never be separate
again.
She looked down. She was standing in a clear circle of light.
At the edge of the circle stood a small shrine. So, that was the stone wall against
which she had stumbled earlier in the night.
She went to look. Carved
inside was the figure of a goddess. She recognized the style of this sculptor
at once.
Below, something was written in sandalwood paste. She peered
closely. It was still legible. 'Maitreyi Sthanam', Yajnavalkya had written
in a firm hand.
She went in search of flowers.
She had been trying to locate that spot since she arrived but without success.
When her grandfather had shown her the circle of light, he had said that one day
she would know.
Now she wanted to know. But for two days the weather
remained resolutely rotten. Cloudy, wet and Gary. The mountains that could help
indicate the spot were not visible at all. And when questioned about it, Ram Singh
was uncharacteristically unhelpful, devious and irritable. Sitting alone in her
grandfather's old cottage at night, it seemed as though the rest of the world
had fallen away. Gone finally extinct. It crossed her mind that to give up would
be sensible. Something Revati would approve of. But there was a stubborn little
spark that remained awake all night.
When she set out the next morning,
the sky had begun to clear but the path was not visible. After a few hours, she
had been ready to give up, when she heard the sound of water. A memory returned
from childhood. Quickly she climbed over what looked like an avalanche of enormous
boulders, entwined for centuries with gnarled tree trunks.
On the other
side, there was a clear, well-used path. She followed the trail and soon she found
herself in front of a little uncared-for temple, amidst a forest of pines and
deodars. The hill of Mukteshwar rose to the right. The temple was obviously not
in use. It had none of the signs of regular worship. But that day, someone had
put fresh flowers in the shrine.
A blood red hibiscus. Three golden
marigolds. Nine white and fragrant jasmines. And twelve oil lamps, still burning.
And at the feet of the deity, two sticks of incense.
She crouched low to look at its face.
Two unknown eyes pierced through her at the speed of lightning. She was thrown
backwards by their force.
A million worlds opened into her eyes. Regaining her balance, she knelt down on
the ground and slowly looked inside again.
A goddess! Or was this a
warrior? Or a dancer? One leg off the ground, her arm pointed forward like a spear,
piercing the world. Her eyes were powerful. Peaceful. But her smile was extraordinary.
Triumphant and tender...
Maitreyi heard a very ancient voice rise inside her:
"Seers of the truth you are, sharpen the shining spears with which you cut the
way to that which is Immortal."
She turned around. Directly in
front, a path stood out between the line of deodars, leading up to the plateau.
And framed ahead in the clear sky was that wonderful and mysterious peak of Nanda
Devi.
She stood up.
There was an urge in her body to dance.
She began to move, slowly, then with increasing rhythm. Vast spaces
began to open out in nanoseconds. She was entering a new landscape of the body.
The body seemed to know what it wanted. Something began to grow in it, like an
assurance. Something which she had never known she could become. Her gestures
acquired a fluidity.
There was a sound. A click.
She stopped. Someone was watching her.
Across the path, on the open plateau, was a man.
She could not
see his face clearly. He bowed to her from the distance, palms folded in namaste.
Then, as he looked up, a smile reached her. He waved quickly and walked away.
Maitreyi was taken aback. How long had he been watching her? Who was he?
He had broken her concentration.
She looked down at her feet.
She was standing in a circle of light.
Yves
looked at the mountains all around, and saw their force moving out towards him,
slowly and immensely.
He waited. The light was intense.
He
sustained their tremendous entries, without a quiver.
Somnath was pleased.
"Tomorrow we will begin Soma."
Yves was curious: "Are we going to smoke
the soma plant to invoke this god?"
Somnath looked at him severely.
"You fool," he said after a while, "don't you read the book Hermann
gave you? The wine of delight and the powerful physical bliss, do you think all
this is so easily obtained? Just by smoking a chillum? Is that all what
the Vedas are worth? A joint? If that's what you want, you don't need me. Go!"
Yves was taken aback. "But what about the soma plant one reads about in the Vedas?"
Somnath shook his head. "What is the use of this direct knowledge from
the gods? Stop using that little brain, listen to your intuition. All these things
are symbols. The outer means for the outer rituals. But the real sacrifice is
inner. And individual. No one else can do it for you. The gods or forces that
you have encountered so far are the different fires or stages of purification.
They prepare the body and the being for Soma. This is the madhu-vidya that
Yajnavalkya knew. It is the expansion of the gods in us. The gods are not
separate beings. They are the gradual expansions of the same force that increases
in us. This is the dance of the cosmos inside man, Yves. By the destruction of
ignorance, the creation of Life and Light and Force. Didn't you see Nataraja?"
And he was silent.
The building he had set out to build was
building him up.
...An architect hewing out self's living rock... the
book would tell him later.
As he got up, Somnath told him not to take
his usual path. "See that boulder across the river bend?" he pointed out. "You
will find a path behind it."
The path led him to a little open plateau,
facing the resonant empire of mountains he had first seen from the bus, as he
reached Mukteshwar. Across the plateau stood the forest and behind a line of trees
he noticed a tiny shrine. He quickened his pace.
When he looked inside,
he knew he had found Maitreyi. With sudden and absolute intensity, an ocean of
fire submerged him in a burning sweetness. A rapturous, ravishing sweetness that
coursed through his veins instead of blood. It occurred to him in a flash that
it tasted 'krazy good!' Far beyond his imaginings.
He returned to the cottage as it started to rain again. With Ram Singh's help
he collected flowers, incense and lamps and went back to the spot. He felt the
need to make this gesture of gratitude to the goddess. All night he stayed in
front of the shrine, looking at the goddess under the light of flickering lamps
and the soft rhythm of rain. An immeasurable regard of beauty rested upon him.
A vast douceur. She told him about the kind of building she wanted. The angle
of sun. The celebrations of breath. The strength of the ground, the expansions
of heaven. Rhythm. Words from the book seemed to slip out of her now. At random.
Like out of a vast and knowing womb.
...As in a mystic dynamic dance...
Inspired and ruled from Truth's revealing vault...
Inhabited by rich creative
beats
A body like a parable of dawn...
Immortal rhythms swayed in her
time-born steps...
The world interpreting movements of the dance...
Displayed its power to build and form...
In him the architect of the visible world
At once the art and artist of his works...
Magic foundations and patterns of a world....
Finally, he fell asleep.
Somnath prodded him awake with his toe. He was smiling down at him affectionately.
"Wake up, Yajnavalkya," he said. "It is so that I will name your birth in the
hands of the goddess. The next part of your journey is to become yourself. Come
on, get up, you must leave now, your work is waiting."
She was close to the base of the great mountain. Soon she would enter into the
Mother's folds. She walked in whiteness. A white as intense as light. Her happiness
grew as she ploughed through the snow, covering the tracks of Yajnavalkya
with her own. Her body was frail and her long white hair hung loose down her back.
Her feet wore the signs of a long and hard journey. But her eyes had conquered.
Suddenly, there were no tracks.
The path had stopped abruptly.
She was standing at the edge of a steep precipice. There was no path forward.
She tried to look down, but she could not see the bottom. Right in front, at the
distance of a full-grown deodar tree, stood the mountain for which she had come
so far.
A test. She knew it.
Had Yajnavalkya crossed
this or had he perished?
She swept away the question. She would not let such thoughts defeat her now. Yajnavalkya
was alive, she was certain. There would have been no journey otherwise.
She scanned every direction in search of a sign or a path.
Finally,
her eyes rested at the top of the mountain. On the twin peaks. She closed her
eyes and called the Mother, ardently-to help her, this last time.
A
soft wind touched her cheek.
When she opened her eyes, she saw a small
white flag, caught in sunlight, fluttering upon the gold rim of the towering peak
of snow. Her eyes followed the line of the ridge that extended from behind that
mountain like an arm, moving up to merge on the side of the mountain where she
was standing.
She had found the entrance.
She walked along
the high ridge, facing east. The full glare of the morning sun pierced her with
a million rays of light. The mountains stretched on every side but she walked
on peacefully, aware of only gratitude, as she witnessed the full glory of the
world.
He had waited.
The mountain opened her
arms and embraced Maitreyi with supreme tenderness.
Now, they could start
all over again.