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From Godhra and Gujarat to the Ayodhya of the Ides of March, my mind wandered
over our culture's unique blend of wisdom, faith, duty and tolerance.
These were the reason that despite suffering a seemingly endless war with
itself since Independence, the Indian
nation could effortlessly lapse into sanity from frequent bouts of violent
insanity
The first lesson in life, wrote Oscar Wilde, "is to be as artificial
as possible. What the second duty is, no one has yet discovered".
Viewing, hearing and reading the mass media over the past fortnight, I
could see how prescient that remark was. How unfeeling the analysts have
been in apportioning blame without a trace of emotional empathy with the
victims of mindless violence routinely brought to our drawing rooms by
the media!
Artificiality
and make-believe come naturally to our generation because there is so
much of this in our daily lives. We live in a desensitized and technological
world in which deeper feelings have given way to matter-of-fact handling
of even basically human issues as motherhood, death, children, marriage,
and so on. At best, we approach these areas of fundamental emotions
as, to quote T.S. Eliot:
a
raid on the inarticulate with
Shabby equipment always deteriorating
In the general mess of
imprecision of feeling.
Looking back
in time, I now understand why we post-Independence Indians related more
to Jawaharlal Nehru than to Mahatma Gandhi. The Mahatma represented and
emphasized higher, eternal concepts like truth, justice, dharma and correctness
in public life. He was the mind and soul of India. Nehru, on the other
hand, was the bumbling idealist with human frailties. He became the heart.
We worshipped, revered and apotheosized Gandhi and assassinated him as
a human. We loved Nehru and always allowed him to forgive us for his faults.
Neither Sardar Patel and C.
Rajagopalachari nor Maulana Azad approximated Nehru in the expression
of feelings and arousing of emotions, though all of them, in retrospect,
had greater political wisdom and administrative ability than the Mahatma's
chosen heir.
Thinking of the Mahatma and Pandit Nehru calls to my mind the avatars
of Rama and Krishna and why Krishna, the butter-stealer, prankster, trickster,
much married and philandering, is a more loved incarnation than the idealist,
socially and politically correct Maryada Purushottam, Rama. In the evolutionary
progression of avatars, Rama should have been the later onethe perfect
human being and ultimate image of God in mortal frame.
But Krishna
was a logical next step, the fascinating variety of humanness, the obverse
side of everything and justification of righteous ends by the application
of dubious means. Rama evoked respect, admiration, adoration, but Krishna
to us symbolized joy, love, kinship and the infinity of emotions. Our
love for Rama, like our love for Gandhi, is sublime and reverentialit
emphasized the distance between him and us. Our love for Krishna, like
our love for Nehru, was human, emphasizing nearness and mixing of identities.
It is not
that Rama was away from his people. He was apart, someone who could
leave his kingdom and people to uphold a father's vow (pran jaye
par vachan na jaye as the perennial motto of Raghukul stated) and
subject his wife to a fiery trial of chastity on flimsy evidence. His
people expected that of him.
One of
the most touching passages in a Sanskrit version of the Ramayana is
where the people of Ayodhya bid a tearful farewell to Rama. They tell
him: "We will not remain silent because that would mean we accept
your leaving us; we will not ask you to return because that would mean
our assuming an authority we do not have; we will not advise you what
to do because that would be presumptuous; whatever you do, please bear
in mind that the love of the people of Ayodhya is with you."
As the
people of Ayodhya were to Rama, so were the people of free India to
Mahatma Gandhi. At the height of the Champaran agitation when the British
regime got jittery about its continuance, the Mahatma invoked his principle
of nonviolence to stop the nationwide agitation. The whole of India
obeyed him without asking why; needless to add, almost the whole of
India disagreed with the decision of the Mahatma.
Two of my
student days' idols are philosopher Jean Jacques Rousseau and poet William
Wordsworth. The former, while laying the intellectual foundations of the
French Revolution and the basis for the violent autocracy after the Revolution,
left a more profound legacythe emphasis on human sensibility ushering
in the later age of romanticism. After Rousseau, it became acceptable
for grown-ups to cry in public.
Display of sentiments was no longer confined to the four walls of the
family. The 'Declaration of the Rights of Man', which the French Revolution
brought to the fore, was shipped across to the new world of the Americas.
Europe itself was moved by an unstated 'Declaration of the Rights of Feeling'.
Wordsworth in the last years of the 18th century symbolized that movement.
From Godhra
and Gujarat to the Ayodhya of the Ides of March, my mind wandered all
over our own past with its unique blend of wisdom, faith, duty and tolerance.
The universality of our socio-religious traditions was the main reason
why despite suffering a seemingly endless war with itself since Independence,
the nation could effortlessly lapse into sanity from frequent bouts
of violent insanity.
Not being
able to make sense of the current madness, but being sure that it too
will pass, I relived my adolescent years with Wordsworth and his 'poetry
of feeling'. My reference to motherhood, children and death earlier
in this essay owed directly to that.
Few humans
can fail to be moved by a lyrical ballad We are Seven which explains,
"the perplexity and obscurity which in childhood attend our notion
of death, or rather, our utter inability to admit the notion".
In that brief poem, an adult confronts a little girl, one of a family
of seven children, two of who have died. Says he:
If two
are in the churchyard laid,
Then ye are only five
But the child who sits and sings to her siblings in the grave there
is no acknowledgement of death. She says: "Nay, we are seven!"
All great
poetry is "the spontaneous overflow of powerful feelings".
Those visual and verbal images in the media of hurt and homeless innocent
people and bemused children, should force us all to think of mothers,
children, death and the shedding of licensed tears in public. Beneath
all the ruthlessness, normlessness and lawlessness that the media dish
out as our daily information diet, I think that people have started
looking for sincerity of emotions in day-to-day relations. People are
looking for solutions to their problems from machines and institutions
not realizing that they have no emotions or feelings. The breakdown
of institutions and the rusting of machines is what has happened to
humans in our times. Godhra, Gujarat and Ayodhya are not aberrations.
They are manifest symptoms.
Mahatma, thou
shouldst be living at this hour. India has need of thee. To rekindle humanity's
hope of a return to living on emotions and feelings. Come to think of
it, this column is itself a testament to that abiding faith.