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Paulo
Coelho, the Brazilian author of bestsellers such as The Alchemist,
The Valkyries and Veronica Decides to Die, comes from a
powerful tradition of magic. He believes in angels and omens. Excerpts
from an e-mail interview with Anupama Bhattacharya
For Paulo Coelho, the only crime against life is to believe in the
word 'impossible'. According to him, each person has a role to play, a
life pattern that is uniquely designed for an individual. And fulfillment
lies in following and understanding that pattern, being who you are, instead
of walking on the trodden path.
Q: What
basic philosophy do you try to express in your books?
My inner questions and doubts when facing the present moment. I see
philosophy as something alive, something that changes according to our
inner needs. But if I were to synthesize my work, I would say: live
your Personal Legend, pay the price of your dreams, read the omens,
awaken your feminine side, and dare to be different.
Q: How
would you categorize your books?
Two of them are nonfiction (The Pilgrimage and The Valkyries).
The rest are based on my various life experiencesbut in a metaphorical
and symbolic language. I believe that any artiste (or person) has only
to share something that he has already experienced, regardless of whether
the experience was in the symbolic realm or in the so-called 'reality'.
Q: When
did you start writing?
As a teenager. But then, my mother told me that it was impossible to make
a living out of writing in Brazil. I believed her, and tried to do something
else. Nothing that I did, however, gave me joy. So, I dropped college
and started to travelas a hippie. When I returned to Brazil, I created
an underground magazine. I was then invited to write lyrics for songs,
and later, journalism. I made a living out of writing, although I did
not write a book till I was 38. Why? Because I believe there are two things
that keep you away from your dream: to think that it is impossible, and
to realize that it is possible (in this second case, you fear losing the
meaning of your life).
Q: What inspired
you?
My turning point was my pilgrimage to Santiago de Compostela. It was then
that I, who had dedicated most of my life to penetrate the 'secrets' of
the universe, realized that there are no secrets. Life is and will always
be a mystery. We have to follow the omens, and pay attention to others.
Life is a constant miracle, and this miracle manifests itself in encounters
with other people.
After the
pilgrimage, I simplified my spiritual search a lot, and instead of searching
for answers, I started to understand that life itself is an answer.
Q:
In your book, The Valkyries, the protagonist is Paulo Coelho.
Is this book autobiographical?
It is autobiographical, and everything stated there is true. To complement
the question above, I used to think of guardian angels as something
too 'simple', too 'naïve', till I realized that innocence is one
of the best roads to God.
Q: Why
did you write of yourself in the third person?
Because I wanted not only to discuss spiritual concepts, but also some
important issues such as marriage. And I could describe my wife's thoughts
only if I used a third person approach.
Q: Have
you ever seen an angel? What are angels really?
Yes, I've seen angels. They are what everybody knows: messengers of God.
Sparks of the Divine Light. But they use the most unusual ways to talk
to usthrough other people, for example.
Q: In
The Valkyries, you have called yourself a wizard. Are you, in reality,
a practitioner of magic?
Everybody is a magus-another important lesson from the Road to Santiago.
The thing is: nobody accepts that she/he has gifts and powers. In magic,
there are two traditions: the moon and the sun. The first is accumulation
of knowledge and the second is revelation. In my youth, I used to practice
traditional rituals, till I realized that Iand everybodyknow
everything. It is just an act of will to open ourselves to the Soul
of the World.
Q: You wrote
that you even dabbled in black magic. What brought you out of it?
It is written in the book: I was dealing with forces that I was not familiar
with, and with total irresponsibility. But God is merciful, and gave me
a tough lesson.
Q: Carlos
Castaneda also wrote of sorcery. Is there any similarity between your
ideas and his?
Castaneda played a major role in my youth. As for the ideas, I tend to
believe that the universal knowledge is accessible to anybody through
faith. Castaneda concentrated his work on a more specific path.
Q: What
has been the driving force in your life? Knowing
that everybody has a purpose. We know when we are closer to our goal
by listening to our heart. So, my driving force is to fulfill my destiny.
Q: Does
an author cultivate writing, or is he divinely gifted?
You need discipline and inspiration, rigor and mercy, earth and heaven.
You need to have a clear goal, but you also need to allow yourself to
be guided to get there.
Q: Today,
most people are talking about transformation,
astral travel, holistic healing, channeling.
Do you think these are indications of a paradigm shift in humanity?
It depends. I also see people complicating the communion with God. The
new paradigm includes Rigor and Mercy. But we cannot be stupid enough
to think that this is all. Appendicitis needs a surgeon, not a holistic
healer.
Q: Where
are we really heading as a civilization?
We are at a crossroads. Since spirituality is going to play an important
role during the next century, we have two choices: either we go towards
fundamentalism or towards tolerance. I am preaching tolerance, but this
is a long fight, and it depends how people behave here and now.
Q: In Veronica
Decides to Die, you have portrayed a young girl who tries to commit
suicide...
No, it's not a book about suicide. It is about the necessity to accept our
differences, instead of trying to fulfill other people's destiny (like the
destiny that our parents choose for us, for example). When, as a young man,
I insisted on being a writer, my family sent me to a mental institutionnot
only once, but three times. Veronica is based on this experience. We must
stop following the 'Manual of Good Behavior', this non-written book that
guides our life, and dare a little bit more. Veronica is bored, because
she realizes that today is the same as yesterday, and it will be the same
tomorrow.
By the way,
talking about my experience in the asylum: there are some battles that kill
you, and some that make you stronger. For me, it was the latter. I never
saw myself as a victim of circumstances, but as an adventurer who must,
from time to time, cross troubled waters.
Q:
The Alchemist has been the most popular of all your books. Which
of your books do you personally think is the best?
I rate all my books A+, because I put the best of myself in them. That
means my books are better than myself.
Q: Have
you been inspired by any authors?
Yes. Castaneda, Henry Miller, William Blake. But, above all, Jorge Amado
and Jorge Luis Borges.
Q: What
role does a writer play in the society?
The same as a gardener or a taxi driver: do your job with love and enthusiasm,
and people will be affected for the better.
Q: Your
books portray a lot of sensitivity. Sometimes even pathos. A trend not
often seen in many of today's New Age books, Which focus more on a feel-good,
rose-tinted worldview. What makes you different?
I don't want to judge other people's books. My books only portray my
experience, not my wisdom. First, because I am not wiseas I said
earlier, everybody knows everything or nobody knows anything, because
God is democratic. Second, because experience is all you have and must
share. This is our reason to be here: to share. A book can act as a
catalyst, making people understand that they are not alone. Several
authors made me understand that, and I felt relieved during some critical
moments in my life. A book can be a good companion. But it is up to
each one of us to learn from our own experiences.
Q: What
do you as an author try to communicate?
My soul. My love. My experience. And one sentence: "Who dares, wins."